Nerding Out on Nature:

Because Earth is cooler than screens


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Writing Process Blog Tour

I haven’t blogged in quite a long time.  Instead, I’ve been working on my just-published memoir, Wild Within: How Rescuing Owls Inspired a Family (Lyons Press, 2014) and writing columns and articles for The Writer Magazine.  You can see my newest articles and essays over at www.melissahart.com.  (Check this blog soon for family-friendly adventure travel in Oregon and beyond.)

Thanks to my writer friend Ana Maria Spagna for inviting me to take part in the Writing Process Blog Tour, during which writers are answering the four questions below.Hart-facebook-72dpi

1) What am I working on?

I’m working on a feature article for Oregon Quarterly about the foster care tuition waiver and how it allows students who’ve grown up in foster care to attend the University of Oregon.  I’ve just turned in a feature article for The Writer about magazines that publish writing from children and teens.  And I’m about to revise my first middle-grade novel, Avenging the Owl, to be published by Sky Pony Press next year.

2) How does my work differ from others of its genre?

My great-grandparents worked as circus and vaudeville comedians, and so I have a high regard for wit.  This comes through in most of my writing, regardless of subject matter.  I write travel articles and essays, nonfiction articles on the craft of writing, and short and book-length memoir. Readers can find elements of humor in almost all of these.  Wild Within is unique in that it blends two stories–learning to rehabilitate and train injured birds of prey, and working 2 1/2 years to adopt my daughter from Oregon’s foster care system. Despite some grim anecdotes, there’s a lot of humor in the book.  My previous memoir, Gringa: A Contradictory Girlhood, tells the story of growing up Anglo, heterosexual and boring in multicultural Los Angeles with a lesbian mother and a deep desire to be a Latina.  I like to think it’s witty, as well.

3) Why do I write what I do?

I’ve always been interested in writing about social issues and illuminating the stories of under-represented demographics.  For a long time, people didn’t realize that gay and lesbian parents–newly-out–were losing custody of their children as my mother did in 1979.  It’s a shameful period of our history, and it deserves investigation, particularly in terms of how parents and kids were affected.  I’ve written about my moms, about my brother with Down syndrome, about the plight of foster children in the United States, about the precarious position of birds of prey worldwide and why it’s critical to conserve their habitat and well-being. Even my travel pieces tend to be about underrepresented destinations–Wild Wings Nature Center in upstate New York, for instance, or backpacking to Sitka on an Alaska Marine Highway ferry.

4) How does my writing process work?

I’m a slow writer. Wild Within took five years to write, and about 20 drafts.  I usually write longhand in a notebook, and transcribe my owl-scratch onto the computer.  I read my work out loud, draft after draft, until it sounds just right.  Then, I make my husband read it; he’s incredibly intelligent, and he can tell me when I haven’t fully explored a theme or when I’m being sentimental or obtuse.  I love working with editors to shape a finished piece; it’s exciting and gratifying to see the work in print.

7. Melissa-and-Bodhi

I’ve tagged the following three Oregon writers to continue this conversation next Monday, September 22nd:

Cecelia Hagen is the author of Entering, from Airlie Press, and the chapbooks Among Others (Traprock Books) and Fringe Living (26 Books Press). Her poems have appeared in Rolling Stone, Prairie Schooner, Blood Orange Review, Natural Bridge, and the Christian Science Monitor. Her poem “At the Bus Stop” can be found in the stairwell of a downtown parking garage in Eugene. She has received fellowships from the MacDowell Colony, Literary Arts, Soapstone, and Playa, and her writing has won the Passager magazine annual award and an Intro Prize from AWP. She lives in Eugene, Oregon and teaches memoir classes in the community.

Cai Emmons first novel His Mother’s Son, was published by Harcourt in 2003. It won the 2003 Ken Kesey Award for the Novel (an Oregon Book Award) and was released in paperback in 2004.  Cai’s second novel, The Stylist, was published by HarperCollins in 2007.  Booklist said of the book: “With family relations twisted as a French braid and language as vivid as a platinum dye job, Emmons’ potent novel features magnetic characters and complex and compelling secrets.”  Cai’s third novel, The Seventh TenetA fourth novel, Continuous Travelers, is underway.  Cai’s essays and stories and reviews have appeared in such publications as:  Arts and Letters, Narrative Magazine, The New York Post, Portland Monthly, and The Oregon Quarterly. 

Mary DeMocker teaches the harp and writes about climates of all sorts. Her work has appeared in Sun Magazine, Oregon Quarterly, Mothering.com, ISLE (Interdisciplinary Study of Literature and the Environment; Oxford University Press), The Oregonian, and music journals. She is cofounder of 350 Eugene, a local, rapidly-growing chapter of the international climate recovery group 350.org. She lives with her husband and teenagers in Eugene, where they chopped down the fence to better share a sauna, lawn mower, ping-pong table, trampoline, and six chickens with their neighbors. For links to her blog Climate Mom: From Worrier to Warrior, visit her website.

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